Once again, a post which can really help you improve your story and deepen your characters as well.
One reason that writing dialogue is so tricky is that there is so much that goes into it, and also, there are just so many variables in play. Really great writing takes all of them into account. Now, I’m no dialogue guru or anything like that, but as a student of literature, I’ve noticed these are the things that really make me judge dialogue as excellent. Consider the following criteria when you’re editing:
- WHERE IS THE CHARACTER FROM? Dialect’s much more than an accent. Every region and place has its own turns of phrase. In New Orleans, where I’m from, a “median” is always called a “neutral ground;” “snowballs” are what we call snowcones, and they’re eaten, not thrown; people call you “chère” sometimes; you…
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